Engraved Hewn Verdigris

Old French engraver, to dig in — past-participle of engrave. As a color modifier, engraved implies a clear-and-precisely-cut quality, the crisp color of Albrecht-Dürer-and-Hogarth hand-pulled engraving-print fine-line incised-image. Sits at the crisp-and-incised end of the grid, parallel to etched and inscribed in usage.

Old English hēawan, to-hew. As a color modifier, hewn implies a hand-cut-stone-or-timber quality, the visual register of hand-hewn-stone-and-timber hand-cut-and-shaped stone-and-timber-and-log hand-hewn-construction-and-craft surfaces under hand-hewn stone-and-timber workshop-light. Sits at the modifier-and-texture end of the grid, parallel to carved and cast in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.