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Organized Bay

#145b59
Notes

Organized Bay (#145B59) is a deep cyan with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (178°, 64%, 22%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#145b59
RGB
rgb(20, 91, 89)
HSL
hsl(178, 64%, 22%)
HWB
hwb(178 8% 64%)
OKLCH
oklch(42.9% 0.067 192.1)
P3
color(display-p3 0.1693 0.3515 0.3469)
HSV
hsv(178, 78%, 36%)
LAB
lab(34.70% -21.34 -5.03)
LCH
lch(34.70% 21.93 193.25)
CMYK
cmyk(78%, 0%, 2%, 64%)

Etymology

Organized
adjective

Greek órganon, instrument / tool — past-participle of organize. As a color modifier, organized implies a clear-and-coordinated-and-systematic quality where the hue carries the visual register of well-coordinated-and-classified arrangement. Sits at the crisp-and-orderly end of the grid, parallel to orderly and methodical in usage.

Bay
noun

A body of water partially enclosed by land — Chesapeake, Tokyo, Hudson, Naples. The color refers to the average reflectance of a temperate bay on a clear day: a saturated, slightly muted blue with the optical depth of mid-salinity water. Cooler than peacock, warmer than navy, with the geographic specificity of a word that names the largest indentations in every world coastline.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#145b59
Original
#555659
Protanopia
#4b4e5a
Deuteranopia
#005e5a
Tritanopia
#4c4c4c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.86:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.67:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##145B59
Display P3
Display P3
color(display-p3 0.1693 0.3515 0.3469)
Inside sRGBOKLCH chroma 0.067

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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