Entombed Tooled Cobalt

Old French en-tombe, into-the-tomb — past-participle of entomb. As a color modifier, entombed implies the deep, sealed, untouched-by-light darkness of a sepulchre interior of medieval-and-Renaissance European cathedral architecture. Sits at the deep-and-funereal end of the grid, parallel to sepulchral and crypted in usage.

Old French tōl, implement. As a color modifier, tooled implies a hand-worked-and-detailed quality, the visual register of Renaissance-and-Florentine-tooled-leather hand-worked-and-stamped-and-engraved tooled-leather-and-bookbinding-and-saddle-and-belt hand-worked surfaces under Renaissance-and-Florentine hand-tooled-leather workshop-light. Sits at the modifier-and-texture end of the grid, parallel to carved and inlaid in usage.

Element Co, atomic number 27 — German Kobold, goblin, named by miners who found the metal interfered with smelting silver ore. Cobalt blue is the cobalt-aluminate pigment introduced by Louis Jacques Thénard in 1802: a saturated, slightly green-shifted deep blue with the matte finish of mineral pigment in oil. Cooler than ultramarine, warmer than prussian, with the painter's weight of a pigment used by Renoir, Van Gogh, and Cézanne.