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Buzzed Robe Turquoise

#13e4da
Notes

Buzzed Robe Turquoise (#13E4DA) is a true cyan with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (177°, 85%, 48%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#13e4da
RGB
rgb(19, 228, 218)
HSL
hsl(177, 85%, 48%)
HWB
hwb(177 7% 11%)
OKLCH
oklch(82.9% 0.142 189.1)
P3
color(display-p3 0.4143 0.8810 0.8514)
HSV
hsv(177, 92%, 89%)
LAB
lab(82.21% -46.56 -8.00)
LCH
lch(82.21% 47.24 189.75)
CMYK
cmyk(92%, 0%, 4%, 11%)

Etymology

Buzzed
adjective

Imitative-onomatopoeic origin — past-participle of buzz, evoking the sound of bee-hum. As a color modifier, buzzed implies a saturated-and-vibrating-and-active quality, the bright color of insect-pollinator and neon-lamp low-amplitude-buzz visual-vibration. Sits at the bright-and-active end of the grid, parallel to jazzed and wired in usage.

Robe
modifier

Old French robe, long-flowing-garment. As a color modifier, robe implies a long-flowing-and-academic-and-judicial quality, the visual register of Oxford-Cambridge-academic-and-judicial-robe hand-long-flowing-and-academic-and-judicial Oxford-Cambridge-academic-and-judicial-robe-and-monastic-habit robe-and-long-flowing-and-academic surfaces under Oxford-Cambridge-academic-and-judicial-robe-and-monastic-habit Senate-and-Inns-of-Court-and-cathedral-cloister Trinity-Senior-Common-Room-light. Sits at the modifier-and-textile end of the grid, parallel to gown and cope in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#13e4da
Original
#d6d7da
Protanopia
#bdc5dc
Deuteranopia
#00eae1
Tritanopia
#b7b7b7
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.60:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
13.14:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##13E4DA
Display P3
Display P3
color(display-p3 0.4143 0.8810 0.8514)
P3 has subtle headroomOKLCH chroma 0.142

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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