Somber Aqua
Somber Aqua (#134457) is a deep cyan with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (197°, 64%, 21%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
From the French sombre, dark, gloomy — itself from the Latin sub umbra, under shadow. Used as a color word since the eighteenth century to imply restrained darkness — the deep grays and blue-blacks of mourning dress and Victorian parlor decoration. Sits in the deep-and-quiet end of the grid, closer to brooding than to charred.
Latin for water, borrowed into English as a color name in the early twentieth century — initially for the pale blue-green of swimming pools and tropical seas. The color refers to a clear-bottomed swimming pool in midday sun: a clean, slightly green-shifted light blue with the optical clarity of filtered water. Cooler than seafoam, lighter than turquoise, with the mid-century weight of a word that paints itself across postwar interior decor.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.