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Saturnine Axis Ultramarine

#13389c
Notes

Saturnine Axis Ultramarine (#13389C) is a deep azure with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (224°, 78%, 34%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#13389c
RGB
rgb(19, 56, 156)
HSL
hsl(224, 78%, 34%)
HWB
hwb(224 7% 39%)
OKLCH
oklch(38.8% 0.168 264.2)
P3
color(display-p3 0.1142 0.2164 0.5888)
HSV
hsv(224, 88%, 61%)
LAB
lab(27.75% 27.58 -57.64)
LCH
lch(27.75% 63.90 295.57)
CMYK
cmyk(88%, 64%, 0%, 39%)

Etymology

Saturnine
adjective

Latin Sāturnīnus, of Saturn — referring to the gloomy temperament associated with the planet Saturn in classical-and-Renaissance astrology. As a color modifier, saturnine implies a deep-and-cool-and-gloomy quality, the dark cool-gray of Hellebore-and-Lead alchemical-melancholic associations. Sits at the deep-and-cool end of the grid, parallel to sullen and gloomy.

Axis
modifier

Latin axis, axle-or-pivot. As a color modifier, axis implies a rotational-pole-and-polar-spin quality, the visual register of Earth-axial-tilt-and-Polaris-axis hand-rotational-pole-and-polar-spin Earth-axial-tilt-and-Polaris-and-celestial-pole axis-and-rotational-pole-and-polar-spin surfaces under Earth-axial-tilt-and-Polaris-and-celestial-pole 23.5-degree-and-precession-and-celestial-mechanics polar-pivot-light. Sits at the modifier-and-cosmic end of the grid, parallel to orbit and zenith in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#13389c
Original
#00489f
Protanopia
#003b9a
Deuteranopia
#005264
Tritanopia
#373737
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
10.13:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.07:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##13389C
Display P3
Display P3
color(display-p3 0.1142 0.2164 0.5888)
P3 has subtle headroomOKLCH chroma 0.168

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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