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Surveyed Magnus Lagoon

#12b9d5
Notes

Surveyed Magnus Lagoon (#12B9D5) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (189°, 84%, 45%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#12b9d5
RGB
rgb(18, 185, 213)
HSL
hsl(189, 84%, 45%)
HWB
hwb(189 7% 16%)
OKLCH
oklch(72.3% 0.125 213.9)
P3
color(display-p3 0.3338 0.7147 0.8216)
HSV
hsv(189, 92%, 84%)
LAB
lab(69.20% -28.33 -24.91)
LCH
lch(69.20% 37.72 221.32)
CMYK
cmyk(92%, 13%, 0%, 16%)

Etymology

Surveyed
adjective

Old French surveer, to look upon — past-participle of survey. As a color modifier, surveyed implies a clear-and-measured-and-coordinated quality, the crisp color of Mason-Dixon-Line-and-Royal-Navy-Hydrographic scientific-and-cadastral land-and-sea surveying tradition. Sits at the crisp-and-mapped end of the grid, parallel to mapped and plotted in usage.

Magnus
modifier

Latin magnus, great-or-large. As a color modifier, magnus implies a Latin-great-and-Albertus-Magnus-and-Magna-Carta quality, the visual register of Albertus-Magnus-and-Magna-Carta-magnus hand-Latin-great-and-Albertus-Magnus-and-Magna-Carta Albertus-Magnus-and-Magna-Carta-and-Charlemagne-Carolus-Magnus magnus-and-Latin-great surfaces under Albertus-Magnus-and-Magna-Carta-and-Charlemagne-Carolus-Magnus Cologne-cathedral-and-Runnymede-meadow medieval-Latin-light. Sits at the modifier-and-Latin end of the grid, parallel to opus and virtus in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#12b9d5
Original
#a5b3d7
Protanopia
#8da2d5
Deuteranopia
#00c4c2
Tritanopia
#989898
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.35:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.93:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##12B9D5
Display P3
Display P3
color(display-p3 0.3338 0.7147 0.8216)
P3 has subtle headroomOKLCH chroma 0.125

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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