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Useful Arbor Verdigris

#128a66
Notes

Useful Arbor Verdigris (#128A66) is a deep teal with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (162°, 77%, 31%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#128a66
RGB
rgb(18, 138, 102)
HSL
hsl(162, 77%, 31%)
HWB
hwb(162 7% 46%)
OKLCH
oklch(56.4% 0.113 166.0)
P3
color(display-p3 0.2480 0.5330 0.4093)
HSV
hsv(162, 87%, 54%)
LAB
lab(50.99% -39.80 10.70)
LCH
lch(50.99% 41.21 164.95)
CMYK
cmyk(87%, 0%, 26%, 46%)

Etymology

Useful
adjective

Latin ūsus, use — adjectival suffix -ful. As a color modifier, useful implies a clear-and-purpose-serving quality where the hue carries the visual register of helpful-and-supporting design-element. Sits at the crisp-and-functional end of the grid, parallel to practical and serviceable in usage.

Arbor
modifier

Latin arbor, tree-or-trunk. As a color modifier, arbor implies a Latin-tree-and-vine-arbor quality, the visual register of Pliny-Natural-History-and-Roman-villa-arbor hand-Latin-tree-and-vine-arbor Pliny-Natural-History-and-Roman-villa-arbor-and-pergola arbor-and-Latin-tree-and-vine-arbor surfaces under Pliny-Natural-History-and-Roman-villa-arbor-and-pergola Pompeii-and-Tuscan-pergola-and-grape-arbor leafy-shade-light. Sits at the modifier-and-Latin end of the grid, parallel to via and domus in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#128a66
Original
#877f64
Protanopia
#797568
Deuteranopia
#008a80
Tritanopia
#6e6e6e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.33:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.85:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##128A66
Display P3
Display P3
color(display-p3 0.2480 0.5330 0.4093)
P3 has subtle headroomOKLCH chroma 0.113

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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