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Reposeful Cane Turquoise

#125d75
Notes

Reposeful Cane Turquoise (#125D75) is a deep cyan with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (195°, 73%, 26%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#125d75
RGB
rgb(18, 93, 117)
HSL
hsl(195, 73%, 26%)
HWB
hwb(195 7% 54%)
OKLCH
oklch(44.7% 0.078 225.1)
P3
color(display-p3 0.1696 0.3592 0.4492)
HSV
hsv(195, 85%, 46%)
LAB
lab(36.44% -12.81 -19.79)
LCH
lch(36.44% 23.57 237.10)
CMYK
cmyk(85%, 21%, 0%, 54%)

Etymology

Reposeful
adjective

Latin repōnere, to put back — adjectival suffix -ful. As a color modifier, reposeful implies a clear-and-restful-and-still quality, the calm color of pre-modern monastic cloister-and-refectory meditative-and-silent interior architecture. Sits at the crisp-and-calm end of the grid, parallel to peaceful and placid in usage.

Cane
modifier

Old French canne, reed / cane. As a color modifier, cane implies a hand-cut-bamboo-or-rattan quality, the visual register of English-and-Edwardian-and-Asian-cane hand-cut-and-woven-cane bamboo-and-rattan-and-wicker hand-cut-cane-and-rattan surfaces under English-and-Edwardian-and-Asian hand-cut-cane-and-rattan furniture-and-craft light. Sits at the modifier-and-texture end of the grid, parallel to bark and hemp in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#125d75
Original
#505b76
Protanopia
#435275
Deuteranopia
#006465
Tritanopia
#4f4f4f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.37:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.85:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##125D75
Display P3
Display P3
color(display-p3 0.1696 0.3592 0.4492)
Inside sRGBOKLCH chroma 0.078

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

Related Colors

Canvas