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Abundant Bard Sapphire

#125cbf
Notes

Abundant Bard Sapphire (#125CBF) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (214°, 83%, 41%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary orange. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#125cbf
RGB
rgb(18, 92, 191)
HSL
hsl(214, 83%, 41%)
HWB
hwb(214 7% 25%)
OKLCH
oklch(49.2% 0.170 258.2)
P3
color(display-p3 0.1679 0.3553 0.7235)
HSV
hsv(214, 91%, 75%)
LAB
lab(40.48% 17.28 -57.74)
LCH
lch(40.48% 60.27 286.66)
CMYK
cmyk(91%, 52%, 0%, 25%)

Etymology

Abundant
adjective

Latin abundāre, to overflow — present-participle of abound. As a color modifier, abundant implies a saturated-and-plentiful quality where the hue carries surplus visual richness beyond minimum requirement. Sits at the bold-and-saturated end of the grid, parallel to plentiful and bountiful.

Bard
modifier

Welsh bardd, poet. As a color modifier, bard implies a Welsh-and-Irish-poet-and-storyteller quality, the visual register of Welsh-Eisteddfod-and-Irish-Bardic hand-spoken poet-and-harp-and-eisteddfod oral-tradition Celtic-bardic surfaces under Welsh-Eisteddfod-and-Irish-Bardic hand-spoken-poet-and-harp oral-tradition Celtic-bardic gathering light. Sits at the modifier-and-cultural end of the grid, parallel to druid and celtic in usage.

Sapphire
noun

An iron-and-titanium-bearing corundum — the same mineral as ruby, hardness 9 on the Mohs scale, mined for two millennia from Sri Lanka, Burma, Madagascar, and the Cashmere mines of British India. The color refers to a fine Kashmir-cut sapphire: a saturated, slightly violet-shifted deep blue with the gem's signature internal velvet — a quality of light scattering in the stone that faceted glass cannot replicate. Cooler than cobalt, deeper than azure.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#125cbf
Original
#1467c3
Protanopia
#0058bd
Deuteranopia
#007484
Tritanopia
#535353
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.35:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.31:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##125CBF
Display P3
Display P3
color(display-p3 0.1679 0.3553 0.7235)
P3 has subtle headroomOKLCH chroma 0.170

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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