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Orderly Nadir Moss

#11624f
Notes

Orderly Nadir Moss (#11624F) is a deep teal with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (166°, 70%, 23%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#11624f
RGB
rgb(17, 98, 79)
HSL
hsl(166, 70%, 23%)
HWB
hwb(166 7% 62%)
OKLCH
oklch(44.5% 0.080 172.3)
P3
color(display-p3 0.1767 0.3785 0.3136)
HSV
hsv(166, 83%, 38%)
LAB
lab(36.78% -28.30 4.21)
LCH
lch(36.78% 28.61 171.54)
CMYK
cmyk(83%, 0%, 19%, 62%)

Etymology

Orderly
adjective

Latin ōrdō, order — adjectival suffix -ly. As a color modifier, orderly implies a clear-and-arranged-and-organized quality where the hue carries the visual register of carefully-ordered-and-classified placement. Sits at the crisp-and-orderly end of the grid, parallel to methodical and organized in usage.

Nadir
modifier

Arabic naẓīr, opposite-of-zenith. As a color modifier, nadir implies a downward-pointing-and-low-point quality, the visual register of celestial-sphere-and-downward-Nadir hand-downward-pointing-and-low-point celestial-sphere-and-downward-and-Nadir-pole nadir-and-downward-pointing-and-low-point surfaces under celestial-sphere-and-downward-and-Nadir-pole astronomical-and-celestial-mechanics downward-axis-light. Sits at the modifier-and-cosmic end of the grid, parallel to zenith and axis in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#11624f
Original
#5f5b4e
Protanopia
#545350
Deuteranopia
#00635c
Tritanopia
#4f4f4f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.28:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.88:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##11624F
Display P3
Display P3
color(display-p3 0.1767 0.3785 0.3136)
P3 has subtle headroomOKLCH chroma 0.080

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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