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Caliginous Lyra Cobalt

#114287
Notes

Caliginous Lyra Cobalt (#114287) is a deep azure with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (215°, 78%, 30%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#114287
RGB
rgb(17, 66, 135)
HSL
hsl(215, 78%, 30%)
HWB
hwb(215 7% 47%)
OKLCH
oklch(39.0% 0.127 258.2)
P3
color(display-p3 0.1246 0.2549 0.5113)
HSV
hsv(215, 87%, 53%)
LAB
lab(28.81% 11.86 -43.02)
LCH
lch(28.81% 44.63 285.41)
CMYK
cmyk(87%, 51%, 0%, 47%)

Etymology

Caliginous
adjective

Latin cālīginōsus, misty / dark — derived from cālīgō (mist, gloom). As a color modifier, caliginous implies an obscured, dimmed, slightly-cool-shifted quality where the hue is veiled by darkness or atmospheric fog. Sits at the deep-and-veiled end of the grid, between murky and tenebrous in usage.

Lyra
modifier

Greek λύρα, lyre-of-Orpheus. As a color modifier, lyra implies a small-summer-constellation-and-Orpheus-lyre quality, the visual register of summer-Lyra-and-Orpheus-lyre hand-small-summer-constellation-and-Orpheus-lyre summer-Lyra-and-Orpheus-lyre-and-Bortle-1-sky lyra-and-small-summer-constellation-and-Orpheus-lyre surfaces under summer-Lyra-and-Orpheus-lyre-and-Bortle-1-sky July-and-August-summer-zenith ring-nebula-and-stellar-light. Sits at the modifier-and-cosmic end of the grid, parallel to vega and cygnus in usage.

Cobalt
noun

Element Co, atomic number 27 — German Kobold, goblin, named by miners who found the metal interfered with smelting silver ore. Cobalt blue is the cobalt-aluminate pigment introduced by Louis Jacques Thénard in 1802: a saturated, slightly green-shifted deep blue with the matte finish of mineral pigment in oil. Cooler than ultramarine, warmer than prussian, with the painter's weight of a pigment used by Renoir, Van Gogh, and Cézanne.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#114287
Original
#17498a
Protanopia
#003f86
Deuteranopia
#00535e
Tritanopia
#3d3d3d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
9.75:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.15:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##114287
Display P3
Display P3
color(display-p3 0.1246 0.2549 0.5113)
P3 has subtle headroomOKLCH chroma 0.127

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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