colors
Back to gallery

Smoky Blaze Midnight

#11257f
Notes

Smoky Blaze Midnight (#11257F) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (229°, 76%, 28%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#11257f
RGB
rgb(17, 37, 127)
HSL
hsl(229, 76%, 28%)
HWB
hwb(229 7% 50%)
OKLCH
oklch(32.1% 0.152 266.7)
P3
color(display-p3 0.0853 0.1432 0.4785)
HSV
hsv(229, 87%, 50%)
LAB
lab(19.94% 28.90 -52.48)
LCH
lch(19.94% 59.91 298.84)
CMYK
cmyk(87%, 71%, 0%, 50%)

Etymology

Smoky
adjective

An adjectival form of smoke, used as a color word since at least the fourteenth century. Smoky implies a slightly muted, slightly hazed quality — as if the color were seen through a layer of suspended particulate. Used across both deep and neutral buckets: a smoky black has slightly less density than pure black; a smoky gray has slightly less coolness than pure gray.

Blaze
modifier

Old English blæse, torch-or-flame. As a color modifier, blaze implies a roaring-and-bright-and-spreading-flame quality, the visual register of bonfire-and-Yule-log-blaze hand-roaring-and-bright-and-spreading-flame bonfire-and-Yule-log-and-hearth-fire blazed-and-roaring-and-bright-and-spreading surfaces under bonfire-and-Yule-log-and-hearth-fire roaring-and-bright-and-spreading midwinter-and-bonfire-night-light. Sits at the modifier-and-mood end of the grid, parallel to flare and spark in usage.

Midnight
noun

The color of the sky at midnight on a clear, moonless night, far from city lights — almost black, but with a slight blue cast where star-scattered light reaches the eye. The color refers to that exact moment: a very deep, slightly violet-shifted near-black blue with the optical depth of a sky stripped of every direct light source. Deeper than navy, warmer than ink, with the temporal weight of a name that is a precise hour as well as a color.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#11257f
Original
#003682
Protanopia
#002b7d
Deuteranopia
#003e4f
Tritanopia
#272727
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
13.17:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.59:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##11257F
Display P3
Display P3
color(display-p3 0.0853 0.1432 0.4785)
P3 has subtle headroomOKLCH chroma 0.152

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas