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Cimmerian Onando

#112574
Notes

Cimmerian Onando (#112574) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (228°, 74%, 26%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#112574
RGB
rgb(17, 37, 116)
HSL
hsl(228, 74%, 26%)
HWB
hwb(228 7% 55%)
OKLCH
oklch(31.0% 0.137 266.6)
P3
color(display-p3 0.0853 0.1432 0.4372)
HSV
hsv(228, 85%, 45%)
LAB
lab(18.81% 24.50 -47.31)
LCH
lch(18.81% 53.28 297.38)
CMYK
cmyk(85%, 68%, 0%, 55%)

Etymology

Cimmerian
adjective

From the Cimmerians of Homer's Odyssey — a legendary people who dwelled at the western edge of the world in perpetual darkness. As a color modifier, cimmerian implies a literary-poetic register for absolute darkness without sunlight. Sits at the deepest end of the grid, parallel to Stygian with classical literary connotations.

Onando
noun

Japanese onando-iro (御納戸色) — honored storehouse color, the saturated grayed-blue of pre-modern Japanese clothing storehouse interiors. Traditional Edo-period onando was used in samurai household interiors and the linings of formal court dress. The color refers to a onando-painted Edo storehouse wall: a saturated, slightly cool deep blue-gray with the matte finish of weathered distemper paint.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#112574
Original
#003377
Protanopia
#002973
Deuteranopia
#003a49
Tritanopia
#262626
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
13.63:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.54:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##112574
Display P3
Display P3
color(display-p3 0.0853 0.1432 0.4372)
P3 has subtle headroomOKLCH chroma 0.137

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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