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Tucked Glazed Lagoon

#10aecc
Notes

Tucked Glazed Lagoon (#10AECC) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (190°, 85%, 43%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#10aecc
RGB
rgb(16, 174, 204)
HSL
hsl(190, 85%, 43%)
HWB
hwb(190 6% 20%)
OKLCH
oklch(69.3% 0.121 216.2)
P3
color(display-p3 0.3122 0.6722 0.7861)
HSV
hsv(190, 92%, 80%)
LAB
lab(65.54% -25.90 -25.57)
LCH
lch(65.54% 36.39 224.63)
CMYK
cmyk(92%, 15%, 0%, 20%)

Etymology

Tucked
adjective

Old English tūcian, to torment / pull — past-participle of tuck. As a color modifier, tucked implies a clear-and-fitted-and-arranged quality where the hue carries the visual register of carefully-tucked-and-neatly-fitted shirt-into-trouser dress-attire. Sits at the crisp-and-finished end of the grid, parallel to trim and pressed in usage.

Glazed
modifier

Old English glæs, glass. As a color modifier, glazed implies a fired-pottery-glaze-and-glass-coating quality, the visual register of Stoke-on-Trent-and-Italian-Maiolica-glazed hand-applied-and-fired ceramic-and-pottery-and-tile-glaze Stoke-on-Trent-and-Italian-Maiolica glazed-pottery surfaces under Stoke-on-Trent-and-Italian-Maiolica hand-glazed pottery-and-tile workshop-light. Sits at the modifier-and-texture end of the grid, parallel to gloss and enameled in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#10aecc
Original
#9aa8ce
Protanopia
#8398cc
Deuteranopia
#00b9b7
Tritanopia
#8f8f8f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.64:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.95:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##10AECC
Display P3
Display P3
color(display-p3 0.3122 0.6722 0.7861)
P3 has subtle headroomOKLCH chroma 0.121

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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