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Stamped Akkad Kingfisher

#109bb4
Notes

Stamped Akkad Kingfisher (#109BB4) is a true cyan with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (189°, 84%, 38%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#109bb4
RGB
rgb(16, 155, 180)
HSL
hsl(189, 84%, 38%)
HWB
hwb(189 6% 29%)
OKLCH
oklch(63.5% 0.110 214.9)
P3
color(display-p3 0.2772 0.5987 0.6939)
HSV
hsv(189, 91%, 71%)
LAB
lab(58.83% -24.31 -22.44)
LCH
lch(58.83% 33.09 222.71)
CMYK
cmyk(91%, 14%, 0%, 29%)

Etymology

Stamped
adjective

Old English stempan, to stamp — past-participle of stamp. As a color modifier, stamped implies a clear-and-impressed-and-repeating quality, the crisp color of William-Morris-and-Liberty-of-London block-printed-textile carefully-impressed pattern. Sits at the crisp-and-printed end of the grid, parallel to printed and engraved in usage.

Akkad
modifier

Akkadian Akkadu, Akkad. As a color modifier, akkad implies a Sargon-and-Mesopotamian-Empire quality, the visual register of Akkadian-Empire-of-Sargon hand-built ziggurat-and-cuneiform-tablet bronze-age Mesopotamian-Imperial surfaces under Sargon-of-Akkad Mesopotamian Imperial-cuneiform sun-baked light. Sits at the modifier-and-cultural end of the grid, parallel to sumer and median in usage.

Kingfisher
noun

The family Alcedinidae — particularly Alcedo atthis, the European common kingfisher whose iridescent turquoise-blue plumage gives the color its name. The color refers to a male European kingfisher's wing: a saturated, slightly cool deep blue-green with the iridescent satin finish of structurally colored feathers.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#109bb4
Original
#8a96b5
Protanopia
#7687b4
Deuteranopia
#00a4a3
Tritanopia
#7f7f7f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.30:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.37:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##109BB4
Display P3
Display P3
color(display-p3 0.2772 0.5987 0.6939)
P3 has subtle headroomOKLCH chroma 0.110

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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