Heavy Brood Emerald
Heavy Brood Emerald (#10993D) is a deep green with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (140°, 81%, 33%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.
Old English brōd, young-of-birds-or-to-ponder. As a color modifier, brood implies a hen-and-pondering-and-darkly-thinking quality, the visual register of Heathcliff-and-Hamlet-brood hand-hen-and-pondering-and-darkly-thinking Heathcliff-and-Hamlet-and-Byronic-hero brooded-and-pondering-and-darkly-thinking surfaces under Heathcliff-and-Hamlet-and-Byronic-hero stormy-and-overcast-and-introspective Yorkshire-moor-light. Sits at the modifier-and-mood end of the grid, parallel to mope and sigh in usage.
A chromium-tinged variety of beryl — the gemstone mined from the Cleopatra-era Mons Smaragdus in Egypt, the Muzo deposits of Colombia, and the Sandawana mines of Zimbabwe. Emerald green refers to a high-clarity faceted emerald with strong color saturation: a saturated, slightly blue-shifted green with the gem's signature internal life. Cooler than fern, warmer than teal, with the heraldic weight of two thousand years of royal favor.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.