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Candid Amor Lagoon

#0fbdda
Notes

Candid Amor Lagoon (#0FBDDA) is a true cyan with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (189°, 87%, 46%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0fbdda
RGB
rgb(15, 189, 218)
HSL
hsl(189, 87%, 46%)
HWB
hwb(189 6% 15%)
OKLCH
oklch(73.5% 0.128 214.1)
P3
color(display-p3 0.3394 0.7302 0.8408)
HSV
hsv(189, 93%, 85%)
LAB
lab(70.56% -28.78 -25.56)
LCH
lch(70.56% 38.49 221.61)
CMYK
cmyk(93%, 13%, 0%, 15%)

Etymology

Candid
adjective

Latin candidus, bright-white / honest — derived from candēre (to shine). As a color modifier, candid implies a clear-and-honest-and-direct quality where the hue carries the visual register of straightforward-honest declaration. Sits at the crisp-and-honest end of the grid, parallel to frank and plainspoken in usage.

Amor
modifier

Latin amor, love. As a color modifier, amor implies a Latin-love-and-amor-vincit-omnia quality, the visual register of Vergilian-amor-and-Catullus-amor hand-Latin-love-and-amor-vincit-omnia Vergilian-amor-and-Catullus-amor-and-Ovid-Ars-Amatoria amor-and-Latin-love surfaces under Vergilian-amor-and-Catullus-amor-and-Ovid-Ars-Amatoria Augustan-Rome-and-Renaissance-Italy Roman-love-light. Sits at the modifier-and-Latin end of the grid, parallel to vita and via in usage.

Lagoon
noun

A shallow body of saltwater partially or fully enclosed by a barrier — coral atoll lagoons in the Pacific, Venice's Laguna Veneta, the Florida Keys' backcountry. The color refers to the average reflectance of a calm tropical lagoon at midday: a saturated, slightly muted blue-green with the optical clarity of shallow water over white sand. Brighter than reef, cooler than aquamarine, with the postcard weight of a Pacific atoll seen from above.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0fbdda
Original
#a8b6dc
Protanopia
#90a5da
Deuteranopia
#00c8c6
Tritanopia
#9a9a9a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.26:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.31:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0FBDDA
Display P3
Display P3
color(display-p3 0.3394 0.7302 0.8408)
P3 has subtle headroomOKLCH chroma 0.128

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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