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Translucent Bergamot Verdigris

#0f7a44
Notes

Translucent Bergamot Verdigris (#0F7A44) is a deep teal with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (150°, 78%, 27%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0f7a44
RGB
rgb(15, 122, 68)
HSL
hsl(150, 78%, 27%)
HWB
hwb(150 6% 52%)
OKLCH
oklch(51.1% 0.124 154.1)
P3
color(display-p3 0.2165 0.4712 0.2867)
HSV
hsv(150, 88%, 48%)
LAB
lab(44.85% -41.37 21.78)
LCH
lch(44.85% 46.75 152.24)
CMYK
cmyk(88%, 0%, 44%, 52%)

Etymology

Translucent
adjective

Latin trans-lūcēre, to shine through — present-participle of translucere. As a color modifier, translucent implies a clear-and-light-passing quality where the hue allows partial light-transmission through its visual surface. Sits at the crisp-and-clear end of the grid, parallel to pellucid and vitreous in usage.

Bergamot
modifier

Italian bergamotta, Calabrian-citrus-and-Earl-Grey-tea. As a color modifier, bergamot implies a Calabrian-citrus-and-Earl-Grey-tea quality, the visual register of Calabrian-bergamot-and-Earl-Grey-tea hand-Calabrian-citrus-and-Earl-Grey-tea Calabrian-bergamot-and-Earl-Grey-tea-and-Reggio-di-Calabria bergamot-and-Calabrian-citrus surfaces under Calabrian-bergamot-and-Earl-Grey-tea-and-Reggio-di-Calabria Reggio-di-Calabria-and-Twinings-Earl-Grey Calabrian-and-tea-light. Sits at the modifier-and-flavor end of the grid, parallel to zest and balm in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0f7a44
Original
#7a6f40
Protanopia
#6e6748
Deuteranopia
#00786d
Tritanopia
#5f5f5f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.40:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.89:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0F7A44
Display P3
Display P3
color(display-p3 0.2165 0.4712 0.2867)
P3 has subtle headroomOKLCH chroma 0.124

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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