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Workmanlike Fall Verdigris

#0d9d8d
Notes

Workmanlike Fall Verdigris (#0D9D8D) is a deep teal with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (173°, 85%, 33%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0d9d8d
RGB
rgb(13, 157, 141)
HSL
hsl(173, 85%, 33%)
HWB
hwb(173 5% 38%)
OKLCH
oklch(62.6% 0.110 182.2)
P3
color(display-p3 0.2788 0.6064 0.5536)
HSV
hsv(173, 92%, 62%)
LAB
lab(58.15% -37.75 -1.33)
LCH
lch(58.15% 37.77 182.02)
CMYK
cmyk(92%, 0%, 10%, 38%)

Etymology

Workmanlike
adjective

Old English weorcmann, workman — adjectival suffix -like. As a color modifier, workmanlike implies a clear-and-skilled-and-honest quality where the hue carries the visual register of journeyman-craftsman careful-and-competent hand-built craft. Sits at the crisp-and-functional end of the grid, parallel to functional and practical in usage.

Fall
modifier

Old English feallan, to fall / autumn. As a color modifier, fall implies an autumn-leaf-and-harvest quality, the visual register of New-England-and-English-autumn deciduous-leaf-fall maple-and-oak-and-beech autumnal-orange-and-crimson surfaces under Northern-Hemisphere autumn raking light. Sits at the modifier-and-time end of the grid, parallel to yule and reap in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0d9d8d
Original
#95938c
Protanopia
#84878e
Deuteranopia
#00a098
Tritanopia
#7d7d7d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.37:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.22:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0D9D8D
Display P3
Display P3
color(display-p3 0.2788 0.6064 0.5536)
P3 has subtle headroomOKLCH chroma 0.110

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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