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Cool Rough Verdigris

#0d8c58
Notes

Cool Rough Verdigris (#0D8C58) is a deep teal with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (155°, 83%, 30%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0d8c58
RGB
rgb(13, 140, 88)
HSL
hsl(155, 83%, 30%)
HWB
hwb(155 5% 45%)
OKLCH
oklch(56.5% 0.129 158.1)
P3
color(display-p3 0.2475 0.5407 0.3622)
HSV
hsv(155, 91%, 55%)
LAB
lab(51.32% -44.28 19.10)
LCH
lch(51.32% 48.22 156.66)
CMYK
cmyk(91%, 0%, 37%, 45%)

Etymology

Cool
adjective

Old English cōl, of low temperature — used as a color modifier as the complement to warm. Cool gray, cool blue: the optical impression of a slight blue-green shift, even within otherwise warm or neutral hues. Sits across the crisp, hushed, pale, and neutral buckets.

Rough
modifier

Old English rūh, rough. As a color modifier, rough implies an unfinished-and-coarse quality, the visual register of unfinished-stone-and-burlap hand-quarried-and-unprocessed coarse-and-unfinished-textile-and-stone hand-quarried-and-coarse surfaces under hand-quarried-and-unfinished workshop-light. Sits at the modifier-and-texture end of the grid, parallel to hewn and bark in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0d8c58
Original
#8b8055
Protanopia
#7d765b
Deuteranopia
#008b7f
Tritanopia
#6d6d6d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.28:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.91:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0D8C58
Display P3
Display P3
color(display-p3 0.2475 0.5407 0.3622)
P3 has subtle headroomOKLCH chroma 0.129

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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