Tenebrous Sprite Ultramarine

Latin tenebrōsus, full of darkness — derived from tenebrae (the deepening shadows of evening prayer service). As a color modifier, tenebrous implies a literary-poetic register for deep-shadowed darkness, where the hue is overwhelmed by ambient gloom. Sits at the deep-and-cool end of the grid, near Stygian but with painterly-baroque connotations.

Latin spiritus, spirit-or-elf. As a color modifier, sprite implies a fairy-elf-and-quick-and-impish quality, the visual register of English-folk-sprite-and-Shakespearean-Puck hand-fairy-elf-and-quick-and-impish English-folk-sprite-and-Shakespearean-Puck-and-Midsummer-Night sprite-and-fairy-elf-and-quick-and-impish surfaces under English-folk-sprite-and-Shakespearean-Puck-and-Midsummer-Night greenwood-and-elven-meadow fairy-revel-light. Sits at the modifier-and-myth end of the grid, parallel to pixie and faun in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.