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Holographic Cane Malachite

#0cd092
Notes

Holographic Cane Malachite (#0CD092) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (161°, 89%, 43%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0cd092
RGB
rgb(12, 208, 146)
HSL
hsl(161, 89%, 43%)
HWB
hwb(161 5% 18%)
OKLCH
oklch(75.9% 0.163 162.8)
P3
color(display-p3 0.3734 0.8036 0.5904)
HSV
hsv(161, 94%, 82%)
LAB
lab(74.36% -57.20 18.99)
LCH
lch(74.36% 60.27 161.63)
CMYK
cmyk(94%, 0%, 30%, 18%)

Etymology

Holographic
adjective

Greek hólos (whole) and graphé (writing) — adjectival suffix -ic. As a color modifier, holographic implies a saturated-and-multi-angle-shifting quality, the bright color of holographic-credit-card and trading-card dichroic-film 3D-image-reflection. Sits at the bright-and-shifting end of the grid, parallel to iridescent and prismatic in usage.

Cane
modifier

Old French canne, reed / cane. As a color modifier, cane implies a hand-cut-bamboo-or-rattan quality, the visual register of English-and-Edwardian-and-Asian-cane hand-cut-and-woven-cane bamboo-and-rattan-and-wicker hand-cut-cane-and-rattan surfaces under English-and-Edwardian-and-Asian hand-cut-cane-and-rattan furniture-and-craft light. Sits at the modifier-and-texture end of the grid, parallel to bark and hemp in usage.

Malachite
noun

A copper carbonate mineral — Cu₂CO₃(OH)₂ — that crystallizes as concentric green bands in oxidized copper deposits. Mined for ornamental stone since ancient Egypt, ground into pigment for medieval European painting, polished into the malachite columns of the Russian Hermitage. The color refers to a polished cabochon: a saturated, slightly muted green with the high shine of stone and the visible banding of growth rings.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0cd092
Original
#ccc08e
Protanopia
#b8b196
Deuteranopia
#00d0bf
Tritanopia
#a2a2a2
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.01:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
10.45:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0CD092
Display P3
Display P3
color(display-p3 0.3734 0.8036 0.5904)
P3 has subtle headroomOKLCH chroma 0.163

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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