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Sure Nun Moss

#0c6855
Notes

Sure Nun Moss (#0C6855) is a deep teal with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (168°, 79%, 23%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0c6855
RGB
rgb(12, 104, 85)
HSL
hsl(168, 79%, 23%)
HWB
hwb(168 5% 59%)
OKLCH
oklch(46.3% 0.085 173.8)
P3
color(display-p3 0.1814 0.4016 0.3368)
HSV
hsv(168, 88%, 41%)
LAB
lab(38.96% -29.92 3.65)
LCH
lch(38.96% 30.14 173.04)
CMYK
cmyk(88%, 0%, 18%, 59%)

Etymology

Sure
adjective

Old French seur, certain — used as a color modifier since the medieval period for hues that read as confident and stable. Sure red, sure blue: moderate saturation combined with optical commitment. Sits at the crisp-bucket center alongside steady and true.

Nun
modifier

Latin nonna, mother / nun. As a color modifier, nun implies a Carmelite-and-Benedictine-religious-sister quality, the visual register of Carmelite-and-Benedictine-Nun hand-spun robe-and-veil-and-wimple Carmelite-and-Benedictine-religious-sister surfaces under Carmelite-and-Benedictine-Religious-Sister hand-spun-robe-and-wimple convent-cloister light. Sits at the modifier-and-cultural end of the grid, parallel to monk and friar in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0c6855
Original
#646154
Protanopia
#595856
Deuteranopia
#006962
Tritanopia
#535353
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.72:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.13:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0C6855
Display P3
Display P3
color(display-p3 0.1814 0.4016 0.3368)
P3 has subtle headroomOKLCH chroma 0.085

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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