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Foreboding Sagittarius Ultramarine

#0c3498
Notes

Foreboding Sagittarius Ultramarine (#0C3498) is a deep azure with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (223°, 85%, 32%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0c3498
RGB
rgb(12, 52, 152)
HSL
hsl(223, 85%, 32%)
HWB
hwb(223 5% 40%)
OKLCH
oklch(37.4% 0.169 263.6)
P3
color(display-p3 0.0940 0.2007 0.5735)
HSV
hsv(223, 92%, 60%)
LAB
lab(26.16% 28.32 -57.82)
LCH
lch(26.16% 64.38 296.09)
CMYK
cmyk(92%, 66%, 0%, 40%)

Etymology

Foreboding
adjective

Old English fore-bēodan, to announce in advance — present-participle of forebode. As a color modifier, foreboding implies a deep-and-threatening atmospheric-anticipation quality, the dark cool-gray of advancing-cyclone storm-front cumulonimbus-base. Sits at the deep-and-threatening end of the grid, parallel to ominous and menacing in atmospheric tone.

Sagittarius
modifier

Latin sagittarius, archer-of-the-zodiac. As a color modifier, sagittarius implies a centaur-archer-and-fire-sign-and-Jupiter-ruled-mutable-fire quality, the visual register of Hellenic-Sagittarius-and-Chiron-centaur-archer hand-centaur-archer-and-fire-sign-and-Jupiter-ruled-mutable-fire Hellenic-Sagittarius-and-Chiron-centaur-archer-and-galactic-center sagittarius-and-centaur-archer-and-fire-sign surfaces under Hellenic-Sagittarius-and-Chiron-centaur-archer-and-galactic-center late-autumn-and-November-and-December mutable-fire-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to scorpio and capricorn in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0c3498
Original
#00449b
Protanopia
#003896
Deuteranopia
#004f61
Tritanopia
#333333
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
10.71:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.96:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0C3498
Display P3
Display P3
color(display-p3 0.0940 0.2007 0.5735)
P3 has subtle headroomOKLCH chroma 0.169

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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