Vaulted Greek Ultramarine

Old French voulte, vault via Latin volūta (rolled) — past-participle of vault. As a color modifier, vaulted implies the deep-and-architectural-and-Gothic quality of Salisbury-Cathedral-and-Chartres-Cathedral nave-vault overhead-stone-arched ceiling. Sits at the deep-and-architectural end of the grid, parallel to cavernous with cathedral-vault register.

Latin Graecus, of-Greece. As a color modifier, greek implies a classical-and-marble-and-blue-sea quality, the visual register of Athens-and-Aegean classical-Hellenic temple-and-pottery hand-built marble-and-sea-blue surfaces under Greek-Aegean classical-temple Mediterranean light. Sits at the modifier-and-cultural end of the grid, parallel to roman and hellenic in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.