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Smoky Wood Midnight

#0c1c6e
Notes

Smoky Wood Midnight (#0C1C6E) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (230°, 80%, 24%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0c1c6e
RGB
rgb(12, 28, 110)
HSL
hsl(230, 80%, 24%)
HWB
hwb(230 5% 57%)
OKLCH
oklch(28.4% 0.141 266.8)
P3
color(display-p3 0.0618 0.1082 0.4140)
HSV
hsv(230, 89%, 43%)
LAB
lab(15.66% 27.94 -48.61)
LCH
lch(15.66% 56.07 299.89)
CMYK
cmyk(89%, 75%, 0%, 57%)

Etymology

Smoky
adjective

An adjectival form of smoke, used as a color word since at least the fourteenth century. Smoky implies a slightly muted, slightly hazed quality — as if the color were seen through a layer of suspended particulate. Used across both deep and neutral buckets: a smoky black has slightly less density than pure black; a smoky gray has slightly less coolness than pure gray.

Wood
modifier

Old English wudu, forest. As a color modifier, wood implies a deciduous-canopy-and-litter quality, the visual register of English-and-Welsh oak-and-beech mixed-deciduous forest leaf-litter-and-canopy hand-walked path surfaces in dappled-deciduous-broadleaf-canopy filtered-light. Sits at the modifier-and-place end of the grid, parallel to copse and grove in usage.

Midnight
noun

The color of the sky at midnight on a clear, moonless night, far from city lights — almost black, but with a slight blue cast where star-scattered light reaches the eye. The color refers to that exact moment: a very deep, slightly violet-shifted near-black blue with the optical depth of a sky stripped of every direct light source. Deeper than navy, warmer than ink, with the temporal weight of a name that is a precise hour as well as a color.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0c1c6e
Original
#002c70
Protanopia
#00226d
Deuteranopia
#003343
Tritanopia
#1f1f1f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
14.93:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.41:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0C1C6E
Display P3
Display P3
color(display-p3 0.0618 0.1082 0.4140)
P3 has subtle headroomOKLCH chroma 0.141

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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