Warm Zest Turquoise

Old English wearm, of moderate heat — used as a color modifier since the medieval period for hues that read as containing red, orange, or yellow undertones. Warm gray, warm white: not necessarily a temperature, but the optical impression of a slight red-orange shift. Sits across the crisp and neutral buckets.

French zeste, citrus-peel-and-bright-tang. As a color modifier, zest implies a bright-citrus-peel-and-aromatic-oil quality, the visual register of Provençal-and-Sicilian-citrus-zest hand-bright-citrus-peel-and-aromatic-oil Provençal-and-Sicilian-citrus-zest-and-Mediterranean-bergamot zest-and-bright-citrus-peel surfaces under Provençal-and-Sicilian-citrus-zest-and-Mediterranean-bergamot Menton-and-Sicily-and-Calabria-citrus-grove citrus-grove-light. Sits at the modifier-and-flavor end of the grid, parallel to tang and bergamot in usage.

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.