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Conquering Blink Forest

#0b7d1a
Notes

Conquering Blink Forest (#0B7D1A) is a deep green with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (128°, 84%, 27%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0b7d1a
RGB
rgb(11, 125, 26)
HSL
hsl(128, 84%, 27%)
HWB
hwb(128 4% 51%)
OKLCH
oklch(51.3% 0.163 143.9)
P3
color(display-p3 0.2185 0.4827 0.1692)
HSV
hsv(128, 91%, 49%)
LAB
lab(45.38% -48.60 42.64)
LCH
lch(45.38% 64.65 138.74)
CMYK
cmyk(91%, 0%, 79%, 51%)

Etymology

Conquering
adjective

Latin conquīrere, to seek thoroughly — present-participle of conquer. As a color modifier, conquering implies a saturated-and-overwhelming-and-victorious quality where the hue overcomes neighboring colors through pure pigmentation strength. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and dominant.

Blink
modifier

Middle Dutch blinken, to-shine-or-twinkle. As a color modifier, blink implies a quick-and-twinkling-and-on-off quality, the visual register of lighthouse-beam-and-firefly-blink hand-quick-and-twinkling-and-on-off lighthouse-beam-and-firefly-and-Morse-lamp blinked-and-quick-and-twinkling surfaces under lighthouse-beam-and-firefly-and-Morse-lamp coastal-headland-and-summer-meadow rotating-and-pulsed-light. Sits at the modifier-and-mood end of the grid, parallel to wink and glint in usage.

Forest
noun

The dense canopy of a temperate or tropical woodland — oak, beech, pine, eucalyptus, mahogany — wherever leaves close above to filter the light below. Forest green refers to the average reflectance of a healthy mid-summer canopy seen from below: a saturated, slightly muted green with the matte finish of layered chlorophyll. Deeper than fern, cooler than olive, with the ecological weight of a word that has named every wooded biome on Earth.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0b7d1a
Original
#807003
Protanopia
#746825
Deuteranopia
#00796a
Tritanopia
#5e5e5e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.30:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.96:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0B7D1A
Display P3
Display P3
color(display-p3 0.2185 0.4827 0.1692)
P3 has subtle headroomOKLCH chroma 0.163

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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