colors
Back to gallery

Resilient Eave Ultramarine

#0b44b0
Notes

Resilient Eave Ultramarine (#0B44B0) is a true azure with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (219°, 88%, 37%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0b44b0
RGB
rgb(11, 68, 176)
HSL
hsl(219, 88%, 37%)
HWB
hwb(219 4% 31%)
OKLCH
oklch(42.8% 0.181 261.9)
P3
color(display-p3 0.1178 0.2624 0.6648)
HSV
hsv(219, 94%, 69%)
LAB
lab(32.57% 27.01 -61.80)
LCH
lch(32.57% 67.45 293.61)
CMYK
cmyk(94%, 61%, 0%, 31%)

Etymology

Resilient
adjective

Latin resiliēns, springing-back — present-participle of resilīre. As a color modifier, resilient implies a saturated-and-recovering-and-flexible quality where the hue maintains its strength under visual pressure. Sits at the bold-and-resilient end of the grid, parallel to tough and hardy in usage.

Eave
modifier

Old English efes, roof-edge. As a color modifier, eave implies a roof-overhang-and-edge quality, the visual register of Japanese-engawa-and-English-eave hand-built roof-overhang-and-edge eave-and-fascia-and-soffit architectural surfaces under Japanese-and-English eave-edge filtered light. Sits at the modifier-and-architecture end of the grid, parallel to gable and frieze in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0b44b0
Original
#0054b4
Protanopia
#0046ae
Deuteranopia
#006073
Tritanopia
#404040
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
8.51:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.47:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0B44B0
Display P3
Display P3
color(display-p3 0.1178 0.2624 0.6648)
P3 has visible headroomOKLCH chroma 0.181

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas