Crushing Virgo Ultramarine

Old French croissir, to crash / break — present-participle of crush. As a color modifier, crushing implies a deep-and-overwhelming-and-weighty quality where the hue exerts maximum visual force. Sits at the deep-and-weighty end of the grid, parallel to pressing with destructive register.

Latin virgo, virgin-or-maiden-of-the-zodiac. As a color modifier, virgo implies a maiden-and-earth-sign-and-Mercury-ruled-mutable-earth quality, the visual register of Hellenic-Virgo-and-Astraea-maiden hand-maiden-and-earth-sign-and-Mercury-ruled-mutable-earth Hellenic-Virgo-and-Astraea-maiden-and-Spica-grain virgo-and-maiden-and-earth-sign surfaces under Hellenic-Virgo-and-Astraea-maiden-and-Spica-grain late-summer-and-August-and-September mutable-earth-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to leo and libra in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.