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Glowering Outremer

#0b1934
Notes

Glowering Outremer (#0B1934) is a deep azure with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (220°, 65%, 12%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0b1934
RGB
rgb(11, 25, 52)
HSL
hsl(220, 65%, 12%)
HWB
hwb(220 4% 80%)
OKLCH
oklch(21.8% 0.057 262.1)
P3
color(display-p3 0.0558 0.0966 0.1965)
HSV
hsv(220, 79%, 20%)
LAB
lab(9.11% 5.05 -19.60)
LCH
lch(9.11% 20.24 284.44)
CMYK
cmyk(79%, 52%, 0%, 80%)

Etymology

Glowering
adjective

Middle English gloweren, to stare angrily — present-participle of glower, sharing root with glower and gloom. As a color modifier, glowering implies a deep-and-warm-and-glowering-resentful quality, the dark warm-orange of furnace-mouth-and-Volcanic-vent embered glow. Sits at the deep-and-warm end of the grid, parallel to smouldered and hellish.

Outremer
noun

The French word for ultramarine — literally beyond-the-sea, naming the lapis-lazuli pigment imported from Afghanistan via Mediterranean trade routes. Outremer names the same pigment as English ultramarine but with the French Renaissance-and-after register. The color refers to a freshly mixed outremer pigment in oil: a saturated, slightly violet-shifted deep blue.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0b1934
Original
#0c1c35
Protanopia
#061833
Deuteranopia
#001f23
Tritanopia
#181818
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
17.46:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.20:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0B1934
Display P3
Display P3
color(display-p3 0.0558 0.0966 0.1965)
Inside sRGBOKLCH chroma 0.057

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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