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Beaming Ishtar Jade

#0ac686
Notes

Beaming Ishtar Jade (#0AC686) is a true teal with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (160°, 90%, 41%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0ac686
RGB
rgb(10, 198, 134)
HSL
hsl(160, 90%, 41%)
HWB
hwb(160 4% 22%)
OKLCH
oklch(73.1% 0.161 161.0)
P3
color(display-p3 0.3538 0.7649 0.5449)
HSV
hsv(160, 95%, 78%)
LAB
lab(70.99% -56.22 20.72)
LCH
lch(70.99% 59.92 159.77)
CMYK
cmyk(95%, 0%, 32%, 22%)

Etymology

Beaming
adjective

The progressive participle of beam, to emit a directional light — used as a color word since the nineteenth century for hues that read as if focused and projecting. Beaming yellow, beaming pink: the implication is luminance combined with directionality. Sits at the bright-bucket center alongside radiant and glowing.

Ishtar
modifier

Akkadian Ištar, Babylonian-goddess-of-love-and-war. As a color modifier, ishtar implies a Babylonian-Venus-and-eight-pointed-star quality, the visual register of Babylonian-Ishtar-Gate-and-Mesopotamian-temple hand-Babylonian-Venus-and-eight-pointed-star Babylonian-Ishtar-Gate-and-Mesopotamian-temple-and-Akkadian-cylinder-seal ishtar-and-Babylonian-Venus-and-eight-pointed-star surfaces under Babylonian-Ishtar-Gate-and-Mesopotamian-temple-and-Akkadian-cylinder-seal Babylon-and-Nineveh-and-Mari blue-glazed-brick-light. Sits at the modifier-and-myth end of the grid, parallel to isis and hera in usage.

Jade
noun

Two minerals share the name: nephrite (a calcium-magnesium silicate, dominant in Chinese jade) and jadeite (a sodium-aluminum silicate, dominant in Burmese imperial jade). Both have been carved in China since at least the Neolithic. The color refers to high-quality apple-green jadeite: a saturated, slightly muted yellow-green with the waxy translucency of polished stone. Cooler than apple, warmer than mint, with the millennial cultural weight of yu, the stone of heaven.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0ac686
Original
#c3b682
Protanopia
#b0a88a
Deuteranopia
#00c5b5
Tritanopia
#999999
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.23:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.43:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0AC686
Display P3
Display P3
color(display-p3 0.3538 0.7649 0.5449)
P3 has subtle headroomOKLCH chroma 0.161

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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