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Hospitable Ares Turquoise

#0abbc9
Notes

Hospitable Ares Turquoise (#0ABBC9) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (184°, 91%, 41%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0abbc9
RGB
rgb(10, 187, 201)
HSL
hsl(184, 91%, 41%)
HWB
hwb(184 4% 21%)
OKLCH
oklch(72.3% 0.122 204.4)
P3
color(display-p3 0.3331 0.7224 0.7784)
HSV
hsv(184, 95%, 79%)
LAB
lab(69.34% -33.44 -18.13)
LCH
lch(69.34% 38.04 208.46)
CMYK
cmyk(95%, 7%, 0%, 21%)

Etymology

Hospitable
adjective

Latin hospitābilis, of-the-host — adjectival suffix -able. As a color modifier, hospitable implies a clear-and-cordial-and-welcoming quality where the hue carries the visual register of Bed-and-Breakfast and country-inn warm-cordial-host atmosphere. Sits at the crisp-and-cheerful end of the grid, parallel to welcoming and inviting in usage.

Ares
modifier

Greek Ἄρης, god-of-war. As a color modifier, ares implies a war-god-and-iron-and-blood quality, the visual register of Olympian-Ares-and-Spartan-temple-Ares hand-war-god-and-iron-and-blood Olympian-Ares-and-Spartan-temple-and-Areopagus ares-and-war-god-and-iron-and-blood surfaces under Olympian-Ares-and-Spartan-temple-and-Areopagus Athenian-Acropolis-and-rocky-outcrop war-god-light. Sits at the modifier-and-myth end of the grid, parallel to zeus and atlas in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0abbc9
Original
#aab3ca
Protanopia
#94a2c9
Deuteranopia
#00c3bf
Tritanopia
#969696
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.34:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.96:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0ABBC9
Display P3
Display P3
color(display-p3 0.3331 0.7224 0.7784)
P3 has subtle headroomOKLCH chroma 0.122

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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