colors
Back to gallery

Plainspoken Cope Teal

#0a7679
Notes

Plainspoken Cope Teal (#0A7679) is a deep cyan with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (182°, 85%, 26%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0a7679
RGB
rgb(10, 118, 121)
HSL
hsl(182, 85%, 26%)
HWB
hwb(182 4% 53%)
OKLCH
oklch(51.4% 0.085 198.0)
P3
color(display-p3 0.2049 0.4556 0.4699)
HSV
hsv(182, 92%, 47%)
LAB
lab(44.80% -25.62 -9.49)
LCH
lch(44.80% 27.32 200.33)
CMYK
cmyk(92%, 2%, 0%, 53%)

Etymology

Plainspoken
adjective

English compound plain + spoken — past-participle of speak. As a color modifier, plainspoken implies a clear-and-direct-and-straightforward quality where the hue carries the visual register of unembellished-honest declaration. Sits at the crisp-and-honest end of the grid, parallel to candid and direct in usage.

Cope
modifier

Latin cappa, long-ecclesiastical-cloak. As a color modifier, cope implies a long-ecclesiastical-cloak-and-bishop's-cope quality, the visual register of Anglican-and-Catholic-bishop's-cope hand-long-ecclesiastical-cloak-and-bishop's-cope Anglican-and-Catholic-bishop's-cope-and-Westminster-and-Vatican cope-and-long-ecclesiastical-cloak surfaces under Anglican-and-Catholic-bishop's-cope-and-Westminster-and-Vatican Westminster-Abbey-and-Sistine-Chapel ecclesiastical-cloak-light. Sits at the modifier-and-textile end of the grid, parallel to cloak and cape in usage.

Teal
noun

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0a7679
Original
#6d7079
Protanopia
#5f667a
Deuteranopia
#007b77
Tritanopia
#5f5f5f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.41:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.88:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0A7679
Display P3
Display P3
color(display-p3 0.2049 0.4556 0.4699)
P3 has subtle headroomOKLCH chroma 0.085

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas