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Inscribed Ray Moss

#0a6343
Notes

Inscribed Ray Moss (#0A6343) is a deep teal with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (158°, 82%, 21%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0a6343
RGB
rgb(10, 99, 67)
HSL
hsl(158, 82%, 21%)
HWB
hwb(158 4% 61%)
OKLCH
oklch(44.3% 0.094 161.9)
P3
color(display-p3 0.1705 0.3822 0.2721)
HSV
hsv(158, 90%, 39%)
LAB
lab(36.73% -32.73 11.46)
LCH
lch(36.73% 34.68 160.70)
CMYK
cmyk(90%, 0%, 32%, 61%)

Etymology

Inscribed
adjective

Latin īnscrībere, to write upon — past-participle of inscribe. As a color modifier, inscribed implies a clear-and-text-or-pattern-cut quality, the crisp color of Roman-Imperial-period monumental-stone inscription-and-monumental-text incised-relief. Sits at the crisp-and-incised end of the grid, parallel to etched and engraved in usage.

Ray
modifier

Latin radius, spoke-or-beam. As a color modifier, ray implies a radiant-and-spoke-of-light quality, the visual register of Bernini-Gloria-and-Baroque-altarpiece-ray hand-radiant-and-spoke-of-light Bernini-Gloria-and-Baroque-altarpiece-and-Counter-Reformation rayed-and-radiant-and-spoke-of-light surfaces under Bernini-Gloria-and-Baroque-altarpiece-and-Counter-Reformation gilded-spoke-and-altar-and-cathedral-dome heavenly-light. Sits at the modifier-and-mood end of the grid, parallel to beam and gleam in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0a6343
Original
#615b41
Protanopia
#575345
Deuteranopia
#00635a
Tritanopia
#4e4e4e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.29:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.88:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0A6343
Display P3
Display P3
color(display-p3 0.1705 0.3822 0.2721)
P3 has subtle headroomOKLCH chroma 0.094

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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