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Eclipsed Forged Ultramarine

#0a1e6d
Notes

Eclipsed Forged Ultramarine (#0A1E6D) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (228°, 83%, 23%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0a1e6d
RGB
rgb(10, 30, 109)
HSL
hsl(228, 83%, 23%)
HWB
hwb(228 4% 57%)
OKLCH
oklch(28.6% 0.138 265.8)
P3
color(display-p3 0.0591 0.1158 0.4103)
HSV
hsv(228, 91%, 43%)
LAB
lab(15.99% 26.04 -47.43)
LCH
lch(15.99% 54.11 298.77)
CMYK
cmyk(91%, 72%, 0%, 57%)

Etymology

Eclipsed
adjective

Greek ékleipsis, abandonment — past-participle of eclipse. As a color modifier, eclipsed implies the deep occulting darkness of a celestial-body-blocked light-source, where umbral-and-penumbral shadows fall on the hue. Sits at the deep-and-cool end of the grid, parallel to occluded with astronomical connotation.

Forged
modifier

Old French forgier, to-forge. As a color modifier, forged implies a hand-hammered-iron quality, the visual register of blacksmith-and-armorer-forged hand-hammered-and-tempered iron-and-steel-and-bronze blacksmith-and-armorer-forged surfaces under blacksmith-and-armorer-forge bellows-and-anvil light. Sits at the modifier-and-texture end of the grid, parallel to hewn and cast in usage.

Ultramarine
noun

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0a1e6d
Original
#002d6f
Protanopia
#00236c
Deuteranopia
#003443
Tritanopia
#1f1f1f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
14.79:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.42:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0A1E6D
Display P3
Display P3
color(display-p3 0.0591 0.1158 0.4103)
P3 has subtle headroomOKLCH chroma 0.138

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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