Engraved Ruff Verdigris

Old French engraver, to dig in — past-participle of engrave. As a color modifier, engraved implies a clear-and-precisely-cut quality, the crisp color of Albrecht-Dürer-and-Hogarth hand-pulled engraving-print fine-line incised-image. Sits at the crisp-and-incised end of the grid, parallel to etched and inscribed in usage.

Old English ruffe, Elizabethan-pleated-collar. As a color modifier, ruff implies a starched-and-Elizabethan-pleated-collar quality, the visual register of Elizabethan-and-Spanish-Habsburg-ruff hand-starched-and-Elizabethan-pleated-collar Elizabethan-and-Spanish-Habsburg-ruff-and-Holbein-portrait ruff-and-starched-and-Elizabethan-pleated-collar surfaces under Elizabethan-and-Spanish-Habsburg-ruff-and-Holbein-portrait Tudor-and-Spanish-Habsburg-court starched-collar-light. Sits at the modifier-and-textile end of the grid, parallel to gown and frock in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.