Properly Tinta
Properly Tinta (#08091A) is a deep blue with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (237°, 53%, 7%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin proprius, one's own — adverbial-and-adjectival suffix -ly. As a color modifier, properly implies a neutral-and-appropriate-and-correct quality where the hue carries the visual register of conventionally-fitting-and-correct color-decision matched to its functional context. Sits at the neutral-and-traditional end of the grid, parallel to appropriately and suitably in usage.
Spanish tinta, ink — derived from Latin tincta, dyed — the deep-iron-gall-ink black of medieval Spanish manuscript-and-administrative writing, particularly the tinta sevillana high-iron formulation of the Castilian-court chancery. Tinta color refers to a tinta sevillana-written 12th-century Cantigas de Santa Maria manuscript folio: a saturated, slightly cool deep black with the matte finish of iron-gall-and-vitriol ink on hand-finished Spanish parchment.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.