Adamant Lovage Ultramarine

Greek adámas, unconquerable — derived from a- (not) plus damnan (to subdue). As a color modifier, adamant implies a saturated-and-rock-hard quality where the hue maintains diamond-hard pigmentation. Sits at the bold-and-resilient end of the grid, parallel to indomitable and ironclad in usage.

Latin levisticum, medieval-physic-garden-herb. As a color modifier, lovage implies a medieval-physic-garden-and-celery-leaf quality, the visual register of medieval-physic-garden-and-Cluniac-lovage hand-medieval-physic-garden-and-celery-leaf medieval-physic-garden-and-Cluniac-lovage-and-Benedictine-Saint-Gall lovage-and-medieval-physic-garden-and-celery-leaf surfaces under medieval-physic-garden-and-Cluniac-lovage-and-Benedictine-Saint-Gall Cluny-and-Saint-Gall-physic-garden medieval-monastic-light. Sits at the modifier-and-flavor end of the grid, parallel to savory and catnip in usage.

The pigment ground from lapis lazuli — the Afghan mineral imported through Venice in the late Middle Ages, more expensive by weight than gold during the Renaissance. The color refers to a freshly mixed ultramarine pigment in linseed oil: a saturated, slightly violet-shifted deep blue with the matte finish of micron-ground rock. Deeper than cobalt, cooler than royal, with the art-historical weight of the blue Vermeer reserved for Mary's robe.