Entombed Orion Cobalt

Old French en-tombe, into-the-tomb — past-participle of entomb. As a color modifier, entombed implies the deep, sealed, untouched-by-light darkness of a sepulchre interior of medieval-and-Renaissance European cathedral architecture. Sits at the deep-and-funereal end of the grid, parallel to sepulchral and crypted in usage.

Greek Ὠρίων, hunter-of-the-myth. As a color modifier, orion implies a winter-hunter-and-belt-and-shoulder quality, the visual register of winter-Orion-and-Belt-of-Orion hand-winter-hunter-and-belt-and-shoulder winter-Orion-and-Belt-of-Orion-and-Bortle-1-sky orion-and-winter-hunter-and-belt-and-shoulder surfaces under winter-Orion-and-Belt-of-Orion-and-Bortle-1-sky January-and-February-winter-zenith winter-constellation-light. Sits at the modifier-and-cosmic end of the grid, parallel to rigel and cygnus in usage.

Element Co, atomic number 27 — German Kobold, goblin, named by miners who found the metal interfered with smelting silver ore. Cobalt blue is the cobalt-aluminate pigment introduced by Louis Jacques Thénard in 1802: a saturated, slightly green-shifted deep blue with the matte finish of mineral pigment in oil. Cooler than ultramarine, warmer than prussian, with the painter's weight of a pigment used by Renoir, Van Gogh, and Cézanne.