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Mapped Pallas Topaz

#066767
Notes

Mapped Pallas Topaz (#066767) is a deep cyan with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (180°, 89%, 21%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#066767
RGB
rgb(6, 103, 103)
HSL
hsl(180, 89%, 21%)
HWB
hwb(180 2% 60%)
OKLCH
oklch(46.6% 0.078 194.8)
P3
color(display-p3 0.1740 0.3976 0.4007)
HSV
hsv(180, 94%, 40%)
LAB
lab(39.10% -24.27 -7.15)
LCH
lch(39.10% 25.30 196.43)
CMYK
cmyk(94%, 0%, 0%, 60%)

Etymology

Mapped
adjective

Latin mappa, cloth / napkin — past-participle of map. As a color modifier, mapped implies a clear-and-cartographic-and-surveyed quality, the crisp color of Ordnance-Survey-and-USGS scientific-and-cadastral cartographic-and-topographic mapping-and-projection. Sits at the crisp-and-mapped end of the grid, parallel to plotted and surveyed in usage.

Pallas
modifier

Greek Παλλάς, epithet-of-Athena. As a color modifier, pallas implies an asteroid-and-Athena-warrior-maiden quality, the visual register of Pallas-asteroid-and-Athena-warrior hand-asteroid-and-Athena-warrior-maiden Pallas-asteroid-and-Athena-warrior-and-Olbers-discovery pallas-and-asteroid-and-Athena-warrior-maiden surfaces under Pallas-asteroid-and-Athena-warrior-and-Olbers-discovery asteroid-belt-and-Athenian-Acropolis warrior-goddess-light. Sits at the modifier-and-cosmic end of the grid, parallel to ceres and vesta in usage.

Topaz
noun

A fluorine aluminum silicate gem, hardness 8 on the Mohs scale, mined for centuries in Ouro Preto, Brazil. Imperial topaz is the prized variety: a warm, slightly pink-shifted gold-orange with the high refractive index of a quality cut stone. Cooler than amber, brighter than honey, with the gem's signature internal fire when held to light. Named for the island of Topazos in the Red Sea, though that source produced peridot instead.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#066767
Original
#5f6167
Protanopia
#535868
Deuteranopia
#006b67
Tritanopia
#525252
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.68:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.14:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##066767
Display P3
Display P3
color(display-p3 0.1740 0.3976 0.4007)
Inside sRGBOKLCH chroma 0.078

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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