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Smoky Lurk Midnight

#060a35
Notes

Smoky Lurk Midnight (#060A35) is a deep blue with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (235°, 80%, 12%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#060a35
RGB
rgb(6, 10, 53)
HSL
hsl(235, 80%, 12%)
HWB
hwb(235 2% 79%)
OKLCH
oklch(17.9% 0.083 270.3)
P3
color(display-p3 0.0263 0.0387 0.1986)
HSV
hsv(235, 89%, 21%)
LAB
lab(4.63% 13.87 -27.55)
LCH
lch(4.63% 30.85 296.73)
CMYK
cmyk(89%, 81%, 0%, 79%)

Etymology

Smoky
adjective

An adjectival form of smoke, used as a color word since at least the fourteenth century. Smoky implies a slightly muted, slightly hazed quality — as if the color were seen through a layer of suspended particulate. Used across both deep and neutral buckets: a smoky black has slightly less density than pure black; a smoky gray has slightly less coolness than pure gray.

Lurk
modifier

Middle English lurken, to-lie-hidden. As a color modifier, lurk implies a hidden-and-watching-and-shadowed quality, the visual register of forest-edge-and-alley-mouth-lurk hand-hidden-and-watching-and-shadowed forest-edge-and-alley-mouth-and-bridge-undercroft lurked-and-hidden-and-watching-and-shadowed surfaces under forest-edge-and-alley-mouth-and-bridge-undercroft Gothic-novel-and-fairy-tale-and-noir half-light. Sits at the modifier-and-mood end of the grid, parallel to creep and prowl in usage.

Midnight
noun

The color of the sky at midnight on a clear, moonless night, far from city lights — almost black, but with a slight blue cast where star-scattered light reaches the eye. The color refers to that exact moment: a very deep, slightly violet-shifted near-black blue with the optical depth of a sky stripped of every direct light source. Deeper than navy, warmer than ink, with the temporal weight of a name that is a precise hour as well as a color.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#060a35
Original
#001236
Protanopia
#000e34
Deuteranopia
#00161e
Tritanopia
#0c0c0c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
19.05:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.10:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##060A35
Display P3
Display P3
color(display-p3 0.0263 0.0387 0.1986)
P3 has subtle headroomOKLCH chroma 0.083

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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