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Smoldering Lāzhuward

#0551c8
Notes

Smoldering Lāzhuward (#0551C8) is a true azure with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (217°, 95%, 40%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#0551c8
RGB
rgb(5, 81, 200)
HSL
hsl(217, 95%, 40%)
HWB
hwb(217 2% 22%)
OKLCH
oklch(47.5% 0.197 260.7)
P3
color(display-p3 0.1326 0.3125 0.7560)
HSV
hsv(217, 98%, 78%)
LAB
lab(38.00% 27.66 -67.02)
LCH
lch(38.00% 72.51 292.43)
CMYK
cmyk(98%, 60%, 0%, 22%)

Etymology

Smoldering
adjective

The progressive participle of smolder, to burn slowly without flame. Used as a color word since the late nineteenth century for the deep reds and oranges of barely-flame coal — the warm saturated darks where the heat is internal rather than emitted. Sits in the bold-and-warm corner, slightly less luminous than burning and slightly less calm than rich.

Lāzhuward
noun

The Persian word for lapis lazuli — the etymological source of every Western language's word for azure (Arabic al-lāzaward → Old French azur → English azure). Lāzhuward names the stone mined from the Sar-e-Sang valley of Afghanistan. The color refers to a polished Afghan lapis cabochon: a saturated, slightly cool deep blue with the matte finish of high-grade lapis.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#0551c8
Original
#0062cc
Protanopia
#0051c6
Deuteranopia
#007084
Tritanopia
#494949
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.96:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.02:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##0551C8
Display P3
Display P3
color(display-p3 0.1326 0.3125 0.7560)
P3 has visible headroomOKLCH chroma 0.197

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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