Pleasant Eden Teal

From the French plaisant, pleasing — used as a color modifier since the fifteenth century for hues that read as agreeable, the kind of color that wears well over a long viewing without becoming demanding or fatiguing. Pleasant green, pleasant rose: moderate saturation combined with optical comfort. Sits at the crisp-bucket alongside easy and calm.

Hebrew ‘Ēden, garden-of-paradise. As a color modifier, eden implies a primal-paradise-and-garden-of-creation quality, the visual register of Genesis-Eden-and-Lucas-Cranach-paradise hand-primal-paradise-and-garden-of-creation Genesis-Eden-and-Lucas-Cranach-paradise-and-Northern-Renaissance eden-and-primal-paradise-and-garden-of-creation surfaces under Genesis-Eden-and-Lucas-Cranach-paradise-and-Northern-Renaissance Cranach-and-Bosch-and-Hieronymus primal-garden-light. Sits at the modifier-and-myth end of the grid, parallel to avalon and bliss in usage.

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.