colors
Back to gallery

Pressed Wold Moss

#046c53
Notes

Pressed Wold Moss (#046C53) is a deep teal with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (166°, 93%, 22%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#046c53
RGB
rgb(4, 108, 83)
HSL
hsl(166, 93%, 22%)
HWB
hwb(166 2% 58%)
OKLCH
oklch(47.3% 0.093 169.5)
P3
color(display-p3 0.1815 0.4169 0.3312)
HSV
hsv(166, 96%, 42%)
LAB
lab(40.20% -32.95 6.64)
LCH
lch(40.20% 33.61 168.61)
CMYK
cmyk(96%, 0%, 23%, 58%)

Etymology

Pressed
adjective

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Wold
modifier

Old English wald, forested upland. As a color modifier, wold implies a chalk-upland-and-grass quality, the visual register of Lincolnshire-and-Yorkshire-Wolds chalk-and-limestone open-upland sheep-pasture-and-arable rolling surfaces under big-sky Lincolnshire-Wolds open-country light. Sits at the modifier-and-place end of the grid, parallel to moor and heath in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#046c53
Original
#696452
Protanopia
#5d5b55
Deuteranopia
#006d65
Tritanopia
#545454
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.41:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.28:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##046C53
Display P3
Display P3
color(display-p3 0.1815 0.4169 0.3312)
P3 has subtle headroomOKLCH chroma 0.093

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas