Serene Dryad Moss
Serene Dryad Moss (#045947) is a deep teal with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (167°, 91%, 18%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin serēnus, clear / unclouded. As a color modifier, serene implies a clear-and-untroubled quality where the hue carries the visual register of cloudless-bright-day atmospheric stability. Sits at the crisp-and-calm end of the grid, parallel to placid and untroubled in usage.
Greek δρυάς, oak-tree-nymph. As a color modifier, dryad implies an oak-tree-nymph-and-grove-spirit quality, the visual register of Hellenic-dryad-and-oak-grove-nymph hand-oak-tree-nymph-and-grove-spirit Hellenic-dryad-and-oak-grove-nymph-and-Arcadian-grove dryad-and-oak-tree-nymph-and-grove-spirit surfaces under Hellenic-dryad-and-oak-grove-nymph-and-Arcadian-grove Dodona-oak-and-sacred-grove tree-nymph-light. Sits at the modifier-and-myth end of the grid, parallel to nymph and nereid in usage.
Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.