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Balanced Saint Teal

#03aea0
Notes

Balanced Saint Teal (#03AEA0) is a true cyan with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (175°, 97%, 35%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#03aea0
RGB
rgb(3, 174, 160)
HSL
hsl(175, 97%, 35%)
HWB
hwb(175 1% 32%)
OKLCH
oklch(67.5% 0.119 184.8)
P3
color(display-p3 0.3053 0.6721 0.6268)
HSV
hsv(175, 98%, 68%)
LAB
lab(64.02% -40.19 -3.40)
LCH
lch(64.02% 40.33 184.84)
CMYK
cmyk(98%, 0%, 8%, 32%)

Etymology

Balanced
adjective

The past participle of balance, to weigh evenly. Used as a color modifier since the eighteenth century for hues that read as neither overcommitted nor restrained. Balanced sage, balanced taupe: moderate saturation combined with optical equilibrium. Sits at the crisp-bucket center alongside even.

Saint
modifier

Latin sanctus, holy. As a color modifier, saint implies a hagiographic-and-relic quality, the visual register of Greek-Orthodox-and-Roman-Catholic-Saint hand-painted icon-and-relic-and-halo-and-iconostasis hagiographic surfaces under Greek-Orthodox-and-Roman-Catholic hand-painted icon-and-iconostasis hagiographic-tradition candlelight. Sits at the modifier-and-cultural end of the grid, parallel to monk and friar in usage.

Teal
noun

Anas crecca, the small dabbling duck whose male in breeding plumage sports a chestnut head crossed by a glossy green-blue stripe. The color refers to that stripe — the iridescent panel just behind the eye: a saturated, slightly muted blue-green with the optical depth of structural color rather than pigment. Cooler than cypress, warmer than cerulean, with the ornithological specificity of a color named for one feather of one bird.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#03aea0
Original
#a4a3a0
Protanopia
#9195a1
Deuteranopia
#00b2aa
Tritanopia
#898989
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.78:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.57:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##03AEA0
Display P3
Display P3
color(display-p3 0.3053 0.6721 0.6268)
P3 has subtle headroomOKLCH chroma 0.119

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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