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Burnt Modré

#033378
Notes

Burnt Modré (#033378) is a deep azure with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (215°, 95%, 24%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#033378
RGB
rgb(3, 51, 120)
HSL
hsl(215, 95%, 24%)
HWB
hwb(215 1% 53%)
OKLCH
oklch(34.0% 0.128 259.1)
P3
color(display-p3 0.0755 0.1965 0.4534)
HSV
hsv(215, 98%, 47%)
LAB
lab(22.80% 15.10 -43.36)
LCH
lch(22.80% 45.92 289.20)
CMYK
cmyk(98%, 58%, 0%, 53%)

Etymology

Burnt
adjective

The past participle of burn used as a color modifier — most familiar in burnt sienna and burnt umber, the pigments produced by firing raw earth pigments to deepen and warm them. Implies a color that has been reduced and concentrated by heat, with the slight red-orange shift that high-temperature oxidation introduces. Sits in the dark-and-warm corner of the engine's grid.

Modré
noun

The Czech word for blue — used for the saturated deep blue of Czech traditional Modrotisk (blue-print) folk-textile resist-dyeing. Modré covers the entire blue spectrum in Czech color vocabulary. The color refers to a freshly Modrotisk-printed cotton: a saturated, slightly cool deep blue with the matte finish of plant-dyed-resist-printed cotton.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#033378
Original
#003c7a
Protanopia
#003277
Deuteranopia
#004450
Tritanopia
#2e2e2e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
12.01:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
1.75:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##033378
Display P3
Display P3
color(display-p3 0.0755 0.1965 0.4534)
P3 has subtle headroomOKLCH chroma 0.128

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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