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Even Slush Turquoise

#02bbc8
Notes

Even Slush Turquoise (#02BBC8) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (184°, 98%, 40%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#02bbc8
RGB
rgb(2, 187, 200)
HSL
hsl(184, 98%, 40%)
HWB
hwb(184 1% 22%)
OKLCH
oklch(72.2% 0.123 203.7)
P3
color(display-p3 0.3295 0.7223 0.7747)
HSV
hsv(184, 99%, 78%)
LAB
lab(69.27% -34.00 -17.69)
LCH
lch(69.27% 38.32 207.49)
CMYK
cmyk(99%, 7%, 0%, 22%)

Etymology

Even
adjective

Old English efen, flat, equal — used as a color modifier since the medieval period for hues that read as uniformly distributed across a surface. Even gray, even tan: the implication is moderate saturation combined with optical uniformity. Sits at the crisp-bucket center alongside steady and balanced.

Slush
modifier

Imitative origin, half-melted-snow. As a color modifier, slush implies a half-melted-snow-and-grey-pavement quality, the visual register of city-pavement-and-thaw-slush hand-half-melted-snow-and-grey-pavement city-pavement-and-thaw-slush-and-Boston-Brooklyn-thaw slush-and-half-melted-snow-and-grey-pavement surfaces under city-pavement-and-thaw-slush-and-Boston-Brooklyn-thaw Boston-and-Brooklyn-and-Edinburgh-thaw urban-thaw-light. Sits at the modifier-and-weather end of the grid, parallel to thaw and flurry in usage.

Turquoise
noun

The hydrated copper-aluminum phosphate mined in Persia and the American Southwest for thousands of years — the firuze of Iran, the chalchihuitl of Mesoamerica, the heart of Pueblo and Navajo silverwork. The color refers to a fine Sleeping Beauty turquoise from Arizona: a saturated, slightly green-shifted blue with the slight matrix of host-rock veining. Brighter than persian, lighter than cerulean.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#02bbc8
Original
#abb3c9
Protanopia
#94a2c9
Deuteranopia
#00c3bf
Tritanopia
#959595
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.35:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.94:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##02BBC8
Display P3
Display P3
color(display-p3 0.3295 0.7223 0.7747)
P3 has subtle headroomOKLCH chroma 0.123

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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